The first short film to analyze, is 9 by Shane Acker. The film is about a rag doll who lives in a miniature junkyard. In the beginning of the film, the main character is working with a friend to get a lightbulb to work. While doing this, a monster is shown to be working in the shadows. The main characters friend notices and tells the main character to run as they stay behind to fight off the beast. The main character turns around to watch their friend, get easily overpowered and killed by the monster. This monster then turns its attention to the main character, chasing it until the main character can get out of sight for a few seconds. At this point, the main character devise is a trap to jump on top of the monster, which does not work out. By the end of the film, the main character is backed up on a ledge, while the monster creeps towards it. In this moment, the main character jumps, causing the balance of the plank to shift, sending the monster into a long fall. At the end, the...
The short film starts off with a couple walking down a dark alleyway at night. And the scene uses diegetic sound of cars driving past in the background to immerse the characters in the environment. The camera cross cuts from a two shot of the assumed main characters to a three shot of men walking across the street. One style choice that is becoming apparent is that the genre uses a lot of cross cuts to misdirect the audience. The two sets of people finally bump into each other in a dark alleyway, leading to a confrontation scene. The scene is shot at a medium eye-level. During the scene, the diegetic sound is quieted while non-diegetic sound starts to play. Some mis-en-scene techniques that become apparent are lighting design, and costumes. The short film plays with light and dark areas to give specific locations a more sinister feel. The film also does a good job with costumes as the three men are dressed in hoodies and other inconspicuous clothes, designating them as the mugger...
The first Takeaway of the video is to take into consideration, your budget, location, props, actors, and other variables when you begin to write your script. This is useful information for me, considering I will be on a strict budget and without ample transportation. The next thing to consider is set ups and payoffs. In our film, we need to integrate a detail or fact that is later called back to, giving the audience a sense of fulfillment. After this, he goes on to talk about misdirection. His example is that he does not include a jump scare when the audience expects there to be one, increasing the tension of the scene. In our film, we will also try and include an absence of a jump scare because we are also doing a murder/horror short film. He then brings up the topic of equipment. He says as an example, “don’t do a crane shot just because you have access to a crane”. He then suggests to make a detailed storyboard. He says the storyboard will help get a better grasp on the action...
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